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Bollywood Actress Sonakshi Sinha on The Cover of Verve Magazine India for the month of August 2013 Issue. Sonakshi Sinha hot Picture from Verve Magazine Cover August 2013 Issue

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Story:
Satruvu (Kishore), Abhi (Naveen Chandra) and their dalam of 20 other naxalites are brought to a city prison.  The grim looking group get down as the handheld camera moves around giving us only glimpses of the group members even though the actors included Tagubothu Ramesh, Dhanraj and other known faces. When the long free flowing shot finally had a cut I’ve realized that this film won’t be dull (technically) like the rest of ours.
The group surrendered in the hope of rehabilitation, but, are cheated and now face the fury of the naxal hating jailer (Harshavardhan). Soon one of them is encountered after being tortured for information. Satruvu is then blackmailed into accepting an offer to operate as a police supported mafia, to get to the criminals the police can’t get to.
One deal ends up with Abhi kidnapping Shruti (Piya Bajpai) to get to her dad (a broker of some sort) and he has her to look forward to in the otherwise all male company. The group seems to be enjoying their new role and the killing montages, all seems well, until a new police superintendent (Abhimanyu Singh) walks in and kills two guys from the group, and one of them is about to get married so…..you know the old trick of ending a character just when it seems happy, it was that one. The new superintendent and the tension around the killing of a local MLA drives the dalam back to the forests to escape slaughter.
By far, the real star of the show was the low key cinematography. The long takes and the charm of the camera movement was more than what any of the stiff actors had to offer. And especially with long takes it needed actors who can really make you believe in the world on screen. Starting with Naveen Chandra the actors ruined for me many beautiful compositions and pans. Even an actor as accomplished as Kishore couldn’t do much with the empty dialogue and clichéd characterizations.

Verdict:
Dalam is the classic example of film picking a central idea that needs much research and awareness and trying to mould it into a masala archetype.Such films run the danger of failing at both ends. Luckily for first time director Jeevan Reddy that didn’t happen, completely. The seriousness it deserves was not up to the mark, then again, technically it was polished enough to convince you otherwise.

Ever since the announcement of Telangana has been made by the Congress Party, there have been huge agitations in Seemandhra region. Somehow, it appears like a tsunami for now. People of all sections have been taking part in these agitations. At this juncture, some of the people are getting doubts why the tollywood is not responding on the division of state when most of them belong to Seemandhra region. ” Even though I am not a politician, I participate actively in the agitations being a citizen of United State. But I can’t understand why the bigwigs of tollywood such as heroes, other artists and technicians are keeping mum on this issue,” expressed this doubt by an agitator from Seemandhra.
However, there is an interesting and perfect answer from tollywood fraternity for the above question. A bigwig from tollywood says, ” We, the artists and technicians have no boundaries to our talents. We need the appreciation of all sections of people from all areas. We feel all areas are owned by us. So, it is not our cup of tea to support one particular area and developing grudge on other area. However, we admit it’s a big blunder as a few of our stars are being criticized unnecessarily on state’s division issue while others happily keeping away from all these controversies”.

Director Teja has given some blockbuster hits in the past, but off late his films have not clicked at the box office. He is now back with his upcoming film ’1000 Abaddalu’. Starring Sai Ram Shankar and Ester in lead roles, the movie also has Naga Babu in an out and out comedy role. 1000 Abaddalu has released today in Andhra Pradesh



Story:-

Satya(Sai Ram Shankar) is the owner of an advertising company. He happens to fall in love with Satya (Esther), who shares his name. But he comes to know that she is already engaged. Following his heart, he plans to woo her with the help of his friends. He cooks up a lot of lies and finally ends up marrying her.
Just when everything seems to be going fine, the wife realises that she has been duped with a lot of lies. The couple go through major problems and get separated.
Will Satya cook some more lies to bring his wife back ?Or will he win her heart with his true love. That forms the story.

Plus Points:-

Naga Babu is the biggest asset of the film. He plays the role of Tower Star, a lover boy who is madly in love with Esther. Though he does not have a major role, he manages to entertain whenever he appears on the screen. His comedy timing is awesome and Teja has exploited it to the best.
Sai Ram Shankar has done a decent job. Comedy is good in places, especially in the second half. Some scenes, where Sai Ram Shankar woos the heroine with lies, have been executed nicely.

Minus Points:-

Except for some comedy bits, the rest of the film is quite stale and routine. The climax block seems very slow, with unnecessary scenes. Some of the scenes can be edited out, to reduce the run time.
Logic is missing, especially in the second half. Two songs in the second half are badly placed and spoil the flow of the film. The family drama scenes do not appear natural.
The heroine’s characterization is not up to the mark. Esther needs to work on her acting skills. She could not carry the role convincingly.
Technical Aspects:
Teja always manages to extract decent music from his music directors. Even in 1000 Abaddalu, the music is quite OK. Two songs in the first half are good. Camera work is nice, especially in all the song sequences.
Dialogues written for Naga Babu are hilarious. Teja’s direction is mediocre in this film.

Verdict:-
Though Teja always says that he wants to make ‘different’ films, he ends up making routine flicks. 1000 Abaddalu can be watched only for Naga Babu. Otherwise, there is nothing much for the viewer in this film.

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Story:

Adda opens with stylish entry by Abhi [Sushanth] a youngster specialized in creating rifts between lovers to raise money. Shanvi [Priya] approaches Abhi seeking a help for her sisters’s love marriage with Avasarala Rambabu. Meanwhile, duo starts liking each-other and a predictable twist is here. Actual story starts when Abhi writes a love letter to Priya and she gets impressed. How will Abhi manage to win Priya’s heart is climax of Adda.

Performance:

Sushanth has touched fox’s tail for tremendous openings that happened due to postponement of Attarintiki Daredi. While the actor’s expressions were ok, his dance knowledge helped him to go well with songs and the dialogue delivery needs an expression change with each.

Shanvi has given her best, as Priya she is a glam doll and feast to watch on screen.

Rest of the cast, Raghubabu, Jayaprakash Reddy, Dhanraj, Venu and Thagubothu Ramesh has done their parts well.

Shwetha Bharadwaj is hot in the item number and Special appearances by Nagarjuna and ANR in ‘Endukey’ song are appealing.

Technical Analysis:

Sai Karthik’s debut may not go well with all centers of audiences, as the script is not quite enthralling and slow paced narration. Somehow, his screenplay gelled with audiences specially teenagers.

Anoop Rubens musicals have helped the movie. Even though the choreography elevated the audio, few tracks were wasted.

Arun Kumar’s cinematography is ok. Editing could have been done better, as the climax and pre-climax appears to be exhausted.

Analysis:

Sushanth’s Adda is a drag for simple script with predictable twists. Debutant director Sai Karthik is potent that he made audiences to sit with his screenplay and comedy bits here and there. While the movie is not so gripping, climax and pre-climax scenes doomed.

Anoop Rubens scores are appealing but were placed untimely and few wasted. Sushanth is watchable with trendy look and Shanvi is an asset for Adda. First half is quite entertaining compared to the second because of one-liners and comic scenes.

Totally, crispy one-liners, dance and few songs are the highlights of Adda.

Final Verdict:

Watch Adda for one-liners, cheerful first half with good work by Anoop Rubens, if you are free this weekend...

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